Unfortunately many of us have a problem with reading Hubert’s posts, because they are written in French.
Stefan Agamanolis, the director of Distance Lab brought us a different look on new technologies during the third edition of the Dutch conference Picnic. Out of place, therefore necessarily interesting.
Stefan Agamanolis, the former director of human connectedness research group at the meanwhile defunct Media Lab Europe, is nowadays director of the Distance Lab, a research lab that aims to investigate the limitations of distance in an age of communications and permanent connection, whether they are in in learning, health, relationships, culture, and other domains.
Slow Food is a movement born out of a reaction to Fast Food - available everywhere at any moment: global, efficient, tolerable, generic, robotic, sole, modern, fast. Slow Food on the other hand proposes other values for nutrition such as pleasure, quality, local, health, the importance of taking the time to eat, atmosphere, personalisation, initimity, humanity, community, tradition… Agamonolis is inspired by this movement, particularly as it is applied to information technology. He explains that the mobile phone is a little bit like Fast Food, useful for all types of communication, but perhaps too constrained to give depth to these. What might “slow” communication look like? Which doesn’t mean a communication that is not fast, but one that puts other values at its core than speed and efficiency, which are so basic in our technologies today?
Agamanolis evoked several projects in his presentation that his lab is working on, such as the IsoPhone concept by the artists James Auger and Jimmy Loizeau, who propose a type of communication without any possibility for distraction. The people involved jumped into a pool and wear helmets that allow them to communicate while floating. It is an immersion that concentrates hearing by creating a particular environment, that for some might seem weird, yet offers a real pause in the way we communicate. Stefan Agamanolis also referred to another another project – Mutsugoto, conceived by Tomoko Hayashi (video) : a space for intimate communications, with the bedroom as an interface, allowing people to be connected over a distance, by exchanging thoughts and touch through light interfaces.
To Agamanolis, our devices could also be inspired by tradition, in a reaction to the quest for modernity and technological sportswear, as explored by the project Solar Vintage: a collection of embroidery, fans, and other home fabrics. “Slow” communications could also help us to conserve the shape, as it is so well done in the Remote Impact project - that allows for punches and hits over distance - ou Jogging over a distance - that allows one to share a moment of jogging with a remote friend (as we have shown earlier).
On 13 November, Distance Labs organise a day on Slow Technology that should emphasise the value of displacement all away into Scotland. The presentation by Stefan Agamanolis left some people in doubt about the services envisioned. However by conceiving another way of imagining technology, Agamanolis provided a different insight and physicality to the variety of relations we have with each other, which our regular electronic tools and interfaces often disregard.
Hubert, please keep up this energy and commitment. There are very few people doing this in French, and you are doing it better than anyone. You have a big supporter.